Showing posts with label Jane Russell. Show all posts
Showing posts with label Jane Russell. Show all posts

Monday, April 11, 2011

you get a gun and name it after a girlfriend

Jean-Luc Godard once said, "all you need for a movie is a gun and a girl." While I am not promoting or advocating violence by any means, I think that in life sometimes all you need is a girl with a gun. I don't know ... I'm very random sometimes. 

Sylvie Vartan tries her hand at weaponry (and of course looks stunning - can you believe how incredible her hair looks here?)

Another popular yé-yé girl, France Gall, poses alongside her mentor - and perhaps partner-in-crime - Serge Gainsbourg

Armed, wigged, and dangerous - Anita Pallenberg tries a new look on in Performance

Who could forget Natalie Portman as the precocious badass Mathilda in Léon?

Marilyn Monroe takes Cupid to a whole other level, ditching a bow and arrow for some heavier artillery for gettin' those hearts to fall in love

Makes sense that Anna Karina, wife and muse to Godard, was so often seen toting a gun in his movies, such as in Pierrot Le Fou and Made in USA

Ann-Margret dares any of her critics to 'make her day' - she's got a gun in hand and bullets strapped around her waist

Brigitte Bardot channels Bonnie Parker (or, perhaps, more accurately, channels Faye Dunaway-channeling-Bonnie Parker) in the promo video for her duet with Serge Gainsbourg, "Bonnie and Clyde" 

Farrah Fawcett perhaps takes her role as gun-toting glamazon in Charlie's Angels a bit too far in these photo shoots. With aim as spectacular as her looks, it's no surprise that no man was left standing

The unparalleled Faye Dunaway wowed critics and fashionistas alike with her performance as Bonnie Parker, the gun-slingin', beret-wearing beauty who captured the eye - and heart - of Clyde Barrow

The late great Jane Russell made a name for herself as a bombshell gun moll in such films as The Outlaw

I don't know what looks more dangerous - Louise Brooks' deadly stare or the two guns that she's holding

Anita Pallenberg and Michele Breton explore the gun belonging to on-the-run gangster Chas, played by James Fox, in their sixties masterpiece Performance

Marilyn Monroe looks somehow so innocent with her gun - and of course, ever the bombshell, she wears lipstick. The gal knew that even more important than the right to bear arms was the right to look fabulous while doing so

Karen Elson gives Little Red Riding Hood quite a daring twist - let's see the big bad wolf try to get Elson's Red, who looks fierce with her gun and five-inch heels

France Gall is perhaps the only gal in the world who can pose alongside a rifle and large stuffed animals and have it look completely normal and actually charming

The November 1936 cover of Vogue Magazine shows that even guns can be in fashion from time to time

Title: from "I Remember Every Kiss" (Jens Lekman)

Tuesday, March 1, 2011

i'll be gloomy, but send that rainbow to me, then my shadows will fly, though you'll be gone for a while, i know that i'll be smilin' with my baby by and by

Last night, the world learned of the sad, sad news of Jane Russell's passing. Many of the memorial articles I've read about Jane have remembered her sexpot reputation, focusing on her bosomy debut performance in Howard Hughes' The Outlaw, where Hughes created the cantilever bra to further accentuate her famous chest (of Russell, Hughes once said, "There are two good reasons why men go to see her. Those are enough"). But Jane was so much more than a bombshell beauty - she was a talented actress and a lovely woman. 
Her film Gentlemen Prefer Blondes was the first classic film that I truly obsessed over - I watched it practically on loop when I was younger, forcing all of my friends to watch it as well (I have a distinct memory of all of my friends and I crammed onto my queen bed, watching GPB on my sixteenth birthday).
Blondes is always a delight to watch - I have seen the film dozens and dozens of times, but it's always such a treat that it never feels old. Though Marilyn Monroe, and her legendary "Diamonds Are A Girl's Best Friend" performance, are perhaps most associated with the Fox masterpiece, I think that Jane was as much (if not more) the star of the film. The deadpanned humor she brought to Dorothy Shaw, the "hobo collector" show girl who falls in love with poor men (much to the dismay of her money-loving BFF Lorelei Lee), is glorious! Her singing and dancing abilities (as well as her ability to be shoved into a pool by hulking Olympic athletes, with grace and in heels!)  are on par with her acting abilities, and everyone seemed to agree - Jane's name was listed above Marilyn's in the credits, after all.
As an actress, Jane leaves a stunning legacy of strong-willed women with undeniable sensuality, but would never compromised their selves or their integrity to the will of men. In an age when so many other female characters in films were little more than two-dimensional femme fatales, or nondescript wives, girlfriends, daughters, and friends, Jane's list of film personas was remarkably different, and set her apart from the rest of the Hollywood crowd. 

"I've got plenty of time to daydream and I'd rather daydream than do anything in the world." - Jane Russell

Title: from "Bye Bye Baby" (Jane Russell, Gentlemen Prefer Blondes)

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